In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Victorian Translation of China: James Legge's Oriental PilgrimageRoger CorlessThe Victorian Translation of China: James Legge's Oriental Pilgrimage. By Norman J.Girardot. Berkeley, Los Angeles, London: University of California Press, 2002. xxx + 780 pp.Don't make the mistake I made and allow the size of this book intimidate you. I let it sit around for many months, fearing, as did the author, to "[row] out over the great ocean (...) of material" (pp. xix-xx), but once I had set sail I found myself in enjoyable, if sometimes irascible, company and I was unwilling to jump ship. Girardot is in full command of his ark of fascinating and diverse creatures, and his main argument is never lost in the details. His writing is lucid and the text is broken up into manageable blocks by subheadings with intriguing titles, rendering each segment ehipassiko, encouraging us to keep reading.A book of this importance and weight (about 1.5 kg) deserves a review article more than just a review, or, better, a discussion panel at a major academic conference. This journal is notorious for reviews of astonishing length, but I would like my review to be short enough that it will actually be read, so that it will entice you to read the book. I will not attempt a summary nor will I critically address all the issues that are brought up. Instead, I will try to show why I regard this book as an instant classic and even, I would say, a watershed in the meta-science of sinological and Religionswissenschaftlich self-reflection.We all know James Legge as the perpetrator of The Chinese Classics, the multivolume opus that, in the 1960 Hong Kong University Press revision, dominates the Chinese religion(s) section of our personal libraries. Since there is nothing like it, we consult it, but we pretend we do not, for, after all, it's out of date, surely, and Legge was an old fuddy-duddy—Scottish, a Protestant missionary, and, worst of all, a Victorian. Girardot seems to have had somewhat this opinion of Legge when he assayed a brief biography of him, but he discovered that his "Legge work" (as he calls it) opened the door to a pivotal era in academe and world culture. Once the door to the long-neglected cupboard had been opened, all kinds of fascinating objects came tumbling out. "Oh, so that's how it used to be, and that's why it's like this today!" No scholar of Chinese religion(s) can afford to ignore Girardot's extensive and insightful ruminations on the state of the field then and now.The point of the book is summed up on page 531: "[Legge] is an outstanding [End Page 276] example of the difficult nineteenth-century passage from religious discourse to what Edward Said calls the 'secular criticism' of the modern world." To study Legge is to study the origins of our discipline. He may have been a fuddy-duddy; he was certainly a workaholic, putting his Sassenach colleagues at Oxford to shame by sleeping little and rising in the middle of the night to persist in his hermeneutic labors. But he was also a student of the heathen land he went to convert, and he tried his best not only to see (the presumed universal) God in the ancient texts but also to find something noble in apparent atheists and agnostics such as Confucius. In his interaction with Max Mueller (and this book is as much about Mueller as it is about Legge) he both agreed and disagreed, in a complex choreography, with the comparative method underpinning The Sacred Books of the East. He was a Scotsman's Scotsman, a stag at bay, dourly standing his ground (as a Congregationalist, and therefore a nonconformist both north and south of the border) against, first, the London Missionary Society and, later, the prevailing academic and ecclesiastical climate at Oxford.No armchair orientalist, as were some of his colleagues across the Channel, he befriended native informants and studied the indigenous commentaries (mostly Qing) to which they referred him, so that his translations, although not as fluid as Waley... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 23 (2003) 159-161 [Access article in PDF] Benedict's Dharma: Buddhist Reflections on the Rule of Saint Benedict. By Norman Fischer, et al. Edited by Patrick Hart, with an afterword by David Steindl-Rast and a translation of the Rule by Patrick Berry. New York: Riverhead Books, 2001. xvi + 222 pp. When Buddhist and Christian monastics meet, they recognize each other as brothers and sisters engaged in a (...) similar quest, despite their doctrinal differences. The nature of this quest is explored in Benedict's Dharma, in which four Buddhists (Norman Fischer, Joseph Goldstein, Judith Simmer-Brown, and Yifa, representing the Zen, Theravadin, Tibetan, and Chinese Buddhist traditions) ruminate on their fraternal and sororal feelings.Venerable Yifa, a nun of the prominent Taiwanese monastery Fo Guang Shan, is the only one of the four in monastic vows, and the reader may wonder what the three non-monastics could offer to a discussion on the monastic life. This is not a new problem. Patrick Henry and Donald Swearer's groundbreaking study, For the Sake of the World: The Spirit of Buddhist and Christian Monasticism (1989), spends a great deal of time on Zen monks, even though there are no Zen monks, theVinaya is kept by the Zen nuns or by the monastics of the parent and sibling lineages of Chan, Son, and Thien. (See my review article, "Why Are There Monks and Nuns?" in Buddhist-Christian Studies 12.) The monastic, it seems, is not confined to the habit.Brother David Steindl-Rast, a monk of Mount Saviour Monastery, grapples with this problem in his afterword, "Conclusions about a Beginning." It was at Mount Saviour that the phrase "the monastic dimension" was coined, to refer to those of monastic bent who for one reason or another did not or could not live in the cloister. One of Brother David's books was to be called, he told me, The Monk in Us, "us" meaning laypeople, but the title had an odd sound and was dropped. So, what is the monastic dimension? Brother David suggests that it is mindfulness, and he comes close to saying that wherever there is mindfulness, there is monasticism. "If mindfulness is all that matters, the monastery is merely a most convenient environment for this kind of life, but it can be lived anywhere, by anyone" (126). He goes on to discuss the phenomenon of monasteries shrinking in size at the same time as the number of long- and short-term visitors to monasteries grows, and proposes that we are moving toward a new understanding of the terms "contemplative," "monastic," and "lay."This insight may point to the most important contribution of this book. It is not about monasticism per se, and it is not a comparative study of the Rule and the Vinaya, with practical suggestions for their mutual reform; rather, it is a meditation on how anyone, monastic or lay, might live the contemplative or mindful life. Throughout the history of the Church and the sangha, laypeople have been in the majority, but attention has been focused on the priests and monastics. Pope Pius X [End Page 159] put it bluntly: the laypeople are the sheep who are to be led, and the clergy are the shepherds who lead. The Church, he added, is not a democracy. I do not know of a Buddhist who has been quite this straightforward, but many have come close, and the history of Buddhism is not that of a democracy. Occasionally, lay movements in both traditions have arisen, basing themselves on the doctrine of the priesthood of all believers or on the teaching of universal Buddha-nature, but they have quickly been co-opted by leaders who proclaimed themselves to be more equal than their fellows. The tragedy for both Buddhism and Christianity is that the contemplative or mindful life has become restricted to a group of professionals, with the attendant belief that such a life is unattainable by most Buddhists and Christians. Now that the dharma has come to the land of the red-faced people, where democracy is... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 22 (2002) 234-236 [Access article in PDF] Book Review Dreaming Me: An African American Woman's Spiritual Journey Dreaming Me: An African American Woman's Spiritual Journey. By Jan Willis. New York: Riverhead Books, 2001. 321 pp. This book invites comparison with Diana Eck's Encountering God: A Spiritual Journey from Bozeman to Banaras(Boston: Beacon Press, 1993). Both are by prominent women scholars, both have "spiritual journey" in the subtitle, (...) and both are about Christians who come to terms with a non-Christian religion—Hinduism in Eck's case, Buddhism in Willis's case. But as soon as one gets past the titles, it is the differences that strike one. Where Eck maintains an Olympian poise, hobnobbing with Hindus but remaining a Christian and an objective scholar, interpreting and analyzing as she goes, Willis plunges into Buddhism without rejecting her family's Baptist tradition, becoming a fully participant observer so as to ask how her own history and the history of her fellow African Americans can be healed by an intensely personal internal dialogue. Eck gives us theology. Willis gives us herself. Recognized as "one of the first American scholar-practitioners of Tibetan Buddhism" (294), her students ask her if she practices meditation as well as teaching it. She gives a carefully crafted answer that unifies the practice of Buddhism with the practice of academic teaching as an authentically human activity within the Humanities.The book has the form of a Hindu epic, incidents from Willis's life interrupting the frame story, the dreaming of the title. This dream (whether actual or metaphorical, we are not told) moves with considerable dramatic power from the terror of being pursued by lions to the dreamer's transformation into a lioness who roars the Dharma like Queen Shrimala. Its five parts are called Birth, Odyssey, Choices, Becoming, and Return, taking us from her childhood as a Baptist in Docena, Alabama, to Cornell University, to India and Nepal, and back to Docena, as a self-described Baptist-Buddhist (310).Willis's journey is intimately bound up with her search for self-acceptance as a "white gal"—a noticeably light-complexioned black woman in the Jim Crow South —and for the nobility of African Americans as fully human beings. Her early experiences [End Page 234] were not encouraging. Blacks were not only physically segregated in Docena, they were electronically expunged from television shows by spurious technical difficulties ("trouble along the cable"), and she endured an attack by the Ku Klux Klan on her family's home. The customary but thoroughly illegal suffrage examination administered to her father included such questions as "How many words are there in the U.S. Constitution?" (58, italics in original). He had been specially prepared for such absurdities, and he passed. Midway in her pilgrimage Willis searches for her roots (or "kin," as she says, using the Southern word) in county and federal records, and her initial excitement turns to humiliation as the white historian tells her, with disdainful triumph, that her intelligence must have come from the white slave owner who "everybody says" was her "granddaddy's daddy" (251). A black woman was presumed to be lacking in native intelligence, and Willis's intellectual powers suffered insult not only from whites but from her own mother, who, perhaps having internalized the white folks' contempt, regarded being smart as somehow evil (25). As a student at Cornell, Willis discovered black power and participated in Black Student Alliance (BSA) demonstrations, sometimes involving guns, but she came to believe that direct political action was not for her. She was, she decided, a teacher at heart, and after much soul searching she opted for the "peaceful transformation" (129) that she hoped would come from the study and practice of Buddhism.Although her skin color was a puzzlement to some Indians, who wondered about her caste, her Tibetan teachers in Nepal accepted her as a student who was at least the equal of the white students, and even, perhaps, superior to them. A spot of blonde in her hair was interpreted as the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 296-298 [Access article in PDF] Book Review Le Sutra D'amida Prêché Par Le Buddha Le Sutra D'amida Prêché Par Le Buddha. By Jérôme Ducor. Schweizer Asiatische Studien: Monographien; Vol. 29. Bern: Peter Lang, 1998. 216 pp. Paper. $35.95 (in U.S.A.; available from the New York office of the publisher) It is immediately clear that this edition of the Smaller Sukhavativyuha Sutra must be regarded as (...) the standard work on it in a European language. Ducor is both a scholar (at the University of Lausanne and at the Museum of Ethnography in Geneva) and a practitioner (an ordained minister of the Honganji branch of Jodo Shinshu) [End Page 296] and he combines his skills to produce a well-rounded and balanced treatment that demonstrates, by comparison, the limitations of the standard Buddhological approach to Sutra studies.The methodology of sutra translation is, I believe, a Buddhist-Christian problem, since, ostensibly Buddhist, it often proceeds along crypto-Christian lines. Why do we translate sutras at all? Or, rather, why are the sutras as a rule translated nude, as it were, quivering in the scholar's spotlight, bereft of their seemly covering of s´astras? Sutras are, by themselves, largely unintelligible. They are nuggets of Dharma, to be, on the one hand, digested by the teachers so that they might (to paraphrase St. Bernard of Clairvaux) proffer the milk of nourishing discourses to their disciples and, on the other hand, chanted in mystifying, often artificial, languages, for their meritorious and pacifying effect. When chanted, it is the sound that matters, not the meaning. It is said that a pigeon was reborn as a monk because Asaga compassionately chanted out loud the texts that he was studying. We are to suppose that the fortunate pigeon was not well versed in Sanskrit, yet it benefited remarkably from the chanting. Ducor is aware of this traditional use of the sutras and includes a discussion on "The Amida Sutra in Liturgical Practice" (pp. 131-137). He cites Gyoyo, writing in fifteenth-century Japan, to the effect that the incomprehensible Sino-Japanese "preserves multiple meanings: the masses, on hearing them, mysteriously, according to their capacities, achieve enlightenment," whereas the Japanese translation "bears only a single sense" and therefore "for normal chanting it is best to chant in the Sino-Japanese pronunciation" (p. 134).But Eurocentric, especially Anglophone, Buddhologists have insisted on translating only the sutras and ignoring their attendant s´astras. Often enough the translations are done from an archaic or even an invented version which is never used in practice but is preferred simply because it is in Sanskrit. The scholar then searches, in the presumed "more original" text, for precisely that single meaning against which Gyoyo warns us. Something seems familiar. Can it be Martin Luther whom we espy lurking behind our Monier Williams? Are we still in thrall to Max Muller, who, even after having naturalized as British, was evangelisch to the core and fought in the Academy under the banner of sola scriptura, believing, with Luther, that a sacred text, because it is revealed, is most truly interpreted by reference to itself, and that its meaning would only be obscured by a human, and therefore fallible, commentary? Perhaps: for the bionic Belgian Buddhologists, we note, were more Catholic in their approach, and translated the summa of the great Buddhist scholastics.The point is that a sutra can only be said to have been properly presented for our study when it is displayed in its native context, that is, with full reference to the commentarial tradition. Ducor does this. He opens with a translation from the rufubon (the textus receptus or "vulgate" as he calls it) version of the Chinese, attributed to Kumarajiva, and follows it with notes on Kumarajiva, on the principal doctrines of the sutra, and on the place of the sutra in the trilogy (sambukyo) tradition in Japan. Then he repeats the translation, interspersing it with references to the commentaries in China, Korea, and Japan. This is followed by detailed textual notes... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 296-298 [Access article in PDF] Book Review Le Sutra D'amida Prêché Par Le Buddha Le Sutra D'amida Prêché Par Le Buddha. By Jérôme Ducor. Schweizer Asiatische Studien: Monographien; Vol. 29. Bern: Peter Lang, 1998. 216 pp. Paper. $35.95 (in U.S.A.; available from the New York office of the publisher) It is immediately clear that this edition of the Smaller Sukhavativyuha Sutra must be regarded as (...) the standard work on it in a European language. Ducor is both a scholar (at the University of Lausanne and at the Museum of Ethnography in Geneva) and a practitioner (an ordained minister of the Honganji branch of Jodo Shinshu) [End Page 296] and he combines his skills to produce a well-rounded and balanced treatment that demonstrates, by comparison, the limitations of the standard Buddhological approach to Sutra studies.The methodology of sutra translation is, I believe, a Buddhist-Christian problem, since, ostensibly Buddhist, it often proceeds along crypto-Christian lines. Why do we translate sutras at all? Or, rather, why are the sutras as a rule translated nude, as it were, quivering in the scholar's spotlight, bereft of their seemly covering of s´astras? Sutras are, by themselves, largely unintelligible. They are nuggets of Dharma, to be, on the one hand, digested by the teachers so that they might (to paraphrase St. Bernard of Clairvaux) proffer the milk of nourishing discourses to their disciples and, on the other hand, chanted in mystifying, often artificial, languages, for their meritorious and pacifying effect. When chanted, it is the sound that matters, not the meaning. It is said that a pigeon was reborn as a monk because Asaga compassionately chanted out loud the texts that he was studying. We are to suppose that the fortunate pigeon was not well versed in Sanskrit, yet it benefited remarkably from the chanting. Ducor is aware of this traditional use of the sutras and includes a discussion on "The Amida Sutra in Liturgical Practice" (pp. 131-137). He cites Gyoyo, writing in fifteenth-century Japan, to the effect that the incomprehensible Sino-Japanese "preserves multiple meanings: the masses, on hearing them, mysteriously, according to their capacities, achieve enlightenment," whereas the Japanese translation "bears only a single sense" and therefore "for normal chanting it is best to chant in the Sino-Japanese pronunciation" (p. 134).But Eurocentric, especially Anglophone, Buddhologists have insisted on translating only the sutras and ignoring their attendant s´astras. Often enough the translations are done from an archaic or even an invented version which is never used in practice but is preferred simply because it is in Sanskrit. The scholar then searches, in the presumed "more original" text, for precisely that single meaning against which Gyoyo warns us. Something seems familiar. Can it be Martin Luther whom we espy lurking behind our Monier Williams? Are we still in thrall to Max Muller, who, even after having naturalized as British, was evangelisch to the core and fought in the Academy under the banner of sola scriptura, believing, with Luther, that a sacred text, because it is revealed, is most truly interpreted by reference to itself, and that its meaning would only be obscured by a human, and therefore fallible, commentary? Perhaps: for the bionic Belgian Buddhologists, we note, were more Catholic in their approach, and translated the summa of the great Buddhist scholastics.The point is that a sutra can only be said to have been properly presented for our study when it is displayed in its native context, that is, with full reference to the commentarial tradition. Ducor does this. He opens with a translation from the rufubon (the textus receptus or "vulgate" as he calls it) version of the Chinese, attributed to Kumarajiva, and follows it with notes on Kumarajiva, on the principal doctrines of the sutra, and on the place of the sutra in the trilogy (sambukyo) tradition in Japan. Then he repeats the translation, interspersing it with references to the commentaries in China, Korea, and Japan. This is followed by detailed textual notes... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On Deconstructing Life-Worlds: Buddhism, Christianity, CultureRoger CorlessOn Deconstructing Life-Worlds: Buddhism, Christianity, Culture. By Robert Magliola. Preface by Edith Wyschogrod. American Academy of Religion Cultural Criticism Series, edited by Cleo McNelly Kearns, Number 3. Atlanta, GA: Scholars Press, 1997. xxii + 202 pp.How does one review a deconstructionist book—a book that seeks not only to discuss deconstruction but to be deconstructionist, a book that simultaneously takes books seriously and mocks (...) both the author and the reader for imagining there could ever be such a thing as a book, a something that is written and then read, a writing that says that everything is Writing but that all Writing/writing is written under erasure and so is (as p. 202 explicitly, self-reflexively proclaims itself) an empty page that is, by that very emptiness, marked? Derrida derides the Introduction, for, he asks (without speaking, parlant avec dénégations, denying that he is expressing denials) what is being Introduced? What do we think we are doing when we lead a reader into (introducere) something that is not there to be lead into until a reader is lead or leads himself or herself into it? Do we not, thus, need an Introduction to the Introduction, and another Introduction to that Introduction, a regressus ad infinitum introductionum? Edith Wyschogrod writes a Preface. Does she mean us to think that the book has a Face, and that it therefore needs a pre-Face? Does she think that she/we face toward the book, or does the book face toward her/us, or does/do she/we both together face toward the putative subject matter, which itself has two faces, Buddhism and Christianity? And who am I, the reviewer?This cannot be a review (a looking-over), but it might be a re-view (a looking-again), which informs (in-forms, incarnates) itself so that you, dear Introducer of Yourself, can review (look over) your presuppositions about Buddhism, Christianity, life-worlds, and reality in general, and re-view them (re-visit them, look again at them) so as to reform (re-view, see-again, as formless, and thus re-form) them.One draws a circle, says Charles Fort, beginning anywhere. So let us open the book at random. On page 84 we find: “Taiwan has over 25,000 students studying in the United States, the largest foreign contingent in American universities.” This aggressively logocentric sentence is provided with a footnote: “Statistic of 1987. Since then, the proportion of Chinese from the People’ [sic] Republic has become much more noticeable.” Hmm—a little typo, but nevertheless we are, to our surprise, deep in the overheated hotel conference rooms of the annual meeting of the American Academy of Religion. So, why are we told this? It is part of a section that cuts (“Lt. sect-, cut”, we are reminded on p. 175) across (cross-hatches) Magliola’s life/lives run/runs (Curriculum Vitae, Curricula Vitae, Curricula Vitae Novae, Curricula Vitarum, as the chapter headings have it) as an academic, a Catholic, an almost-priest, a Buddhist meditator, a husband, a divorcé, an Italian, an American, [End Page 216] a resident of Taiwan. All these spill out from the overstuffed closet of Magliola’s life/lives, which, without warning, he opens upon us and then sits among the salade challenging the reader to become bricoleur. But if we do, we feel we have missed the point. Or we have seen the point—which is just as bad.Crosshatch: that’s the theme, I think. Cross, “X” (both the Roman character “eks” and the Greek character “chi”), crucifix, saltire, cross-religions, cross-cultures, cross-countries, cross-country, crossing-out (rature), and finally, revelation by relationis oppositio under/through four forks (“Il ne s’écrit que sous la grille des quatre fourches”—p. 177, quoting Derrida).Magliola is on this cross, he is cross (angry/mad), he is crucified by it, he hopes to cross over by means of it. “This book is not written for the arrived by the arrived” (p. xix), yet he is “on the water, not at sea” (p. xx).It may not be incorrect to say that the book is in... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Pilgrimage of the Mass:The Song of All SongsRoger CorlessI remember,long ago,long, long ago,the sun came up at midnight,seen by no one but myself,and my room was filled with lightand grew so huge(Vimalakirti, do you hear?)that nothing was not there.I sang from the Song of Songsand the sun relaxed, and listened,shining and still and blest,and said, "Yes,it is good, it is good, it is good."the earth was made again,the (...) brown earth smiled,and her creatures ran in her robes,and there was great peace.I could have called it Paradise;yet it was but the forecourt—an earnest of that endless day(Abelard, is it true?)in which the Saints embrace—for the sun went down before dawn,falling behind the dew and the birdsong,and I walked on morning mists to Masslike Lao-tzu riding the clouds.long, long ago.+ may all beings be happy + [End Page 151]Copyright © 2007 The University of Hawai'i Press... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:News and ViewsMark Gonnerman Click for larger view View full resolutionWhen I think of Roger Corless, I think of the bristlecone pine trees in the White Mountains of east-central California, about an hour's drive from Bishop up White Mountain Road. These trees (Pinus longaeva) are the world's oldest living beings. The senior member of the stand in Patriarch Grove, named Methuselah, is more than 4,700 years old.It (...) is not because Roger lived an especially long life—he was granted only sixty-nine-and-a-half years of calendar time—that he and these trees fuse in my mind. While Roger was an old soul from an older world, this association arises from Roger's adherence to the kind of "become who you are" eccentricity celebrated by Henry David Thoreau and other sages who remind each of us to "step to the music" of "a different drummer."When visiting the bristlecones, one is impressed by the various odd poses struck by each tree. Of course no two are alike; each holds a unique gnarly stance that says, "You are among a community of nonconformists." These trees remind us that each being is a unique expression of Nature and ought to be honored as such.Thoreau does not use the word "eccentric" in Walden, but writes of extravagance instead:I fear chiefly lest my expression not be extra- vagant enough, may not wander far enough beyond the narrow limits of my daily experience, so as to be adequate to the truth of which I have been convinced. Extra vagance! [End Page 155] it depends on how you are yarded.... I desire to speak somewhat without bounds; like a man in a waking moment, to men in their waking moments.A lover of words, as was Roger, Thoreau splits extravagance in two to highlight its root meaning: "to wander" (vagari) "outside" (extra). To learn the truth of matters requires the courage to follow one's own path, even when—especially when—it takes one beyond the pale. Only then might wanderers become convinced of those truths they know, for they have been encountered firsthand and tested, experimentally, in the realm of personal experience.When one sets about the challenging work of claiming a natural right to eccentricity, one discovers self-authenticating feedback loops that encourage further steps along an always unfolding, yet untrammeled path. It takes courage to stay in motion, for the way is often rough. People get lost—and found. One's own authentic way leads to wakefulness. This in turn enables recognition and enjoyment of other liberated beings and compassion for those who have yet to hear chanticleer crow (to stay with Thoreau) or the lion's roar (as Buddhists might say).As Mas Kodani, a Jodoshinshu minister in South-Central Los Angeles has observed, "One does not stand still looking for a path. One walks; and as one walks a path comes into being." This walk requires a balance of both confident perseverance and an ability to respond to ever-changing conditions. Lives of both the bristlecones and Roger demonstrate perseverance in spite of hostile habitats: the pines, rooted in sandstone and dolomite, hang on in a cold and dry climate at 11,200 feet; Roger made his way with difficulty in spite of challenges he faced as a gay, Buddhist-and-Christian intellectual in Durham County, North Carolina. When, after thirty years, Roger became an emeritus professor at Duke and relocated to the San Francisco Bay Area, he found himself in a much more hospitable setting.It may seem strange to draw out this comparison of Roger and those ancient White Mountain pines, but when I first met those trees in the summer of 1998, they set a standard for authenticity that came to mind whenever Roger and I interacted. His extravagant accomplishments as a teacher, scholar, and person who lived a life of genuine service to others were attained through the real work of daily spiritual practice, critical reflection, and adherence to the truths—always plural for Roger—of which he had been convinced. I'll always be grateful for his inspiring example of a human life well lived. It... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Path of No Path: Contemporary Studies in Pure Land Buddhism Honoring Roger CorlessJeff WilsonPath of No Path: Contemporary Studies in Pure Land Buddhism Honoring Roger Corless. Edited by Richard K. Payne. Berkeley, CA: Institute of Buddhist Studies and Numata Center for Buddhist Translation and Research, 2009. 290 pp.Roger Corless (1938–2007)—Catholic devotee, Tibetan Buddhist meditator, Pure Land interpreter, and renowned professor of religious studies—was (...) a frequent contributor to the dialogue between Christians and Buddhists in the West, including through the auspices of the Society for Buddhist-Christian Studies. Although he passed away in 2007, his spirit continues to enrich this historic encounter, including through several major posthumous works. Path of No Path is the first of three such works planned for release by the Institute of Buddhist Studies, a seminary and graduate studies institution associated with Jōdo Shinshū, the largest form of Pure Land Buddhism in Japan. Originally intended as a festschrift, the book unfortunately had to become a memorial volume. In addition to some laudatory material reflecting on Corless’s life, it contains articles by ten scholars focusing on the Pure Land tradition of Buddhism, broken into three categories of practice, transmission, and interpretation. Many contributors, such as Ruben Habito and Al Bloom, will be familiar to readers of Buddhist-Christian Studies.Edited anthologies are always a mixed bag, but happily Path of No Path holds together well and offers many interesting essays for scholars interested in this field, although at times the connection to Corless’s own work seems a bit forced. Alternately, we might view those essays with relatively tenuous connections to Corless’s work as representing the sort of playfulness that Corless famously displayed in his writings and speaking appearances. A good example of this is the first essay, by Harvey [End Page 225] Aronson, on Vajrasattva meditation. Vajrasattva, a major figure in Vajrayāna Buddhism, is not traditionally associated with the Pure Land tradition. Yet Aronson begins by putting a Jōdo Shinshū framework around his subsequent article, which deals with meditative visualizations as healing techniques. Like Corless frequently did, Aronson looks for connections between seemingly disparate cultures and religions. In the process, he offers some insightful comments on how Asian and Western practitioners approach healing within a Buddhist context. For example, he finds that the Westerners are far more heavily psychological in their orientation, and tend to react negatively to situations of obligation and responsibility to others that are comfortable to Asian participants.The second essay’s relationship to Corless is much more organic, as it deals with Chinese Pure Land Buddhism, a subject that he published important works on. This essay, by Charles Orzech, analyzes the Rites for Contemplation of and Offerings to Amitāyus Tathāgata (Wuliangshou rulai guanxing gongyang yigui), an esoteric text based in part on the famous Scripture on Contemplation of the Buddha of Limitless Life (Fo shuo guan wuliangshoufo ling). Orzech skillfully demonstrates how the Rites reframed the Scripture on Contemplation in a tantric context, contributing to the ongoing esotericization of Chinese Buddhism in the Tang period (618–907).James Sanford’s contribution also relates to both tantric and Pure Land forms of Buddhism. Sanford offers a translation of and commentary on the Guide to the Eighty Thousand Dharma Principles (Hōri hachiman chō). This is a short apocryphal text purporting to reveal secret teachings passed on from Jōdo Shinshū founder Shinran (1173–1263) to his grandson Nyoshin. These secret Jōdo Shinshū lineages are an important historical phenomenon that have not been given nearly enough attention, in part because they are actively disapproved of by the orthodox, nonesoteric schools of Jōdo Shinshū (and indeed orthodox Shinshū has at times persecuted these minority traditions). Sanford’s introduction, translation, and commentary therefore provide a major service to scholars of Japanese religion.Gordon Bermant’s entry is short but nonetheless contains some pithy observations on the role of “practice” in American Jōdo Shinshū, a subject that Corless himself wrote about numerous times. Traditionally Jōdo Shinshū is often understood not to include any sort of formal practice—religious practices, in fact, are seen as evidence of egoism or lack... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Remembering Professor CorlessRose DrewDo We Go from Here? The Many Religions and the Next Step. Over the years, his works examined Buddhist teachings and practices, Christian teachings and practices, Buddhist-Christian dialogue, and interreligious dialogue; more recently his focus had turned to queer dharma topics and same-sex issues.A memorial service, "We Are Life, Its Shining Gift," was held for Roger on March 10, 2007, in San Francisco. Friends and (...) colleagues spoke of Roger's life and accomplishments and his impact on their lives. There were Buddhist chanting and Christian hymns, with the service opening and closing with two musical pieces selected by Roger for that purpose: "The Swan of Tuonela" by Jean Sibelius and "The Lark Ascending" by Sir Ralph Vaughn William.Monetary memorial gifts are being received by the Society for Buddhist Christian Studies to be used in some fashion toward the 8th International Buddhist-Christian Dialogue to be held in 2009. Gifts should be sent to SBCS Corless Memorial Fund, CSSR Executive Office, Rice University MS 156, PO Box 1892, Houston, TX 77251-1892. To donate by credit card, call 713-348 5721.I was about six months into my current PhD research on Buddhist-Christian dual religious identity when I read a profile of Roger Corless in which he spoke about his own Buddhist-Christian identity (or "identities," because Roger saw his Buddhist "self " and his Christian "self " as two distinct identities). Roger immediately earned a place on my "most wanted" list, and when the time came to approach potential interviewees, I was delighted to find that Roger was eager, despite his failing health, to share with me the results of his "experiment" in dual belonging. So, last spring, I stayed with him for a few days and we talked at length about his religious thought and practice.That Roger was a remarkable man is clearly evident in his work: his wit and playful sense of humor, his sharp and inquisitive mind and vast knowledge of his subject, his intellectual integrity and concern for authenticity, and his insightful and innovative perspectives. Roger also possessed a healthy awareness of the potential for theology and "dharmology" to fail to do justice to the Christian's and the Buddhist's experience (which was what he considered to be crucial)—an awareness that was complemented by his remarkable ability to combine an intuitive, emotional response to truth and a sensitivity to the power of myth, symbolism, and poetry, with a thoroughgoing academic rigor. Sometimes he might start an essay with a song and, then, as he put it, "try to convert it into a philosophy," asking any readers who felt he had failed in the conversion to return again to the song, because, as far as he was concerned, the song would be true even if he himself had not correctly understood it. When I met Roger in person, I was delighted to find my sense of his intuitive spirituality, rich imagination, and shrewd intelligence confirmed, and was immediately struck also by his disarming honesty and humbling humility.It is a great privilege to have had the opportunity to meet Roger and talk [End Page 153] with him about his fascinating ideas. I was not always sure I fully understood them, and we certainly did not agree on everything: argue though we did about his notion that there could be more than one "Absolute," we never did come to share a perspective. But his ideas nevertheless continue to be a challenge to me and a reminder of the need for all of us engaged in dialogue to be respectful of the integrity of the religious traditions, and a warning to anyone who, like Roger, sees himself or herself as a person who, rather than simply being engaged in dialogue, is a dialogue, to be wary of quick-fix solutions to the questions and difficulties he or she inevitably faces. As far as Roger was concerned, it was better to live as an authentic Buddhist and as an authentic Christian and to accept what he took to be their conceptual irreconcilability than to accept any tidy reconciliation that might reduce both to the status of merely partial truths... (shrink)

Introduction -- Anselm's classical theism -- The Augustinian legacy -- The purpose, definition, and structure of free choice -- Alternative possibilities and primary agency -- The causes of sin and the intelligibility problem -- Creaturely freedom and God as Creator Omnium -- Grace and free will -- Foreknowledge, freedom, and eternity : part I, the problem and historical background -- Foreknowledge, freedom, and eternity : part II, Anselm's solution -- The freedom of God.

Introduction: Conversion and the practice of transformation -- The philosophical structure of Jonathan Edwards's religious affections -- Habit, habit change, and conversion in C.S. Peirce -- Reconstructing faith : religious overcoming in Dewey's pragmatism -- Transforming obligation in William James -- Dwelling in absence: the reflective origin of conversion -- Creative transformation : the work of conversion -- The evasion of conversion in recent American philosophy.

Starting from an examination of foundational issues, the book covers a range of topics, including animals, agency, enjoyment, the good life, contemplation, ...

In recent years, scholars have come to understand emotions as dynamic and socially constructed—the product of interdependent cultural, relational, situational, and biological influences. While researchers have called for a multilevel theory of emotion construction, any progress toward such a theory must overcome the fragmentation of relevant research across various disciplines and theoretical frameworks. We present affect control theory as a launching point for cross-disciplinary collaboration because of its empirically grounded conceptualization of social mechanisms operating at the interaction, relationship, and cultural (...) levels, and its specification of processes linking social and individual aspects of emotion. After introducing the theory, we illustrate its correspondence with major theories of emotion construction framed at each of four analytical levels: cultural, interactional, individual, and neural. (shrink)

The question of the existence and the properties of time has been subject to debate for thousands of years. This considered and complete study offers a contrastive analysis of phenomenologies of time from the perspective of the problematics of the visibility of time. Is time perceptible only through the veil of change? Or is there a naked presence of 'time itself'? Or has time always effaced itself? McClure's new work also stages confrontations between phenomenology of time and analytical philosophy of (...) time. By doing so he explores ancient issues from a fresh perspective, such as whether time passes, whether experimental time is 'real time', and whether the very concept of time is contradictory. (shrink)

Brings together essays on the philosophy of art in which a philosophical theory of aesthetic judgment is tested and developed through its application to particular examples. Each essay approaches, from its own field of study, what Roger Scruton argues to be the central problems of aesthetics -- what is aesthetic experience, and what is its importance for human conduct? The book is divided into four parts. The first contains a resume of modern analytical aesthetics, which also serves as an (...) introduction to subsequent chapters. It also includes an essay that reviews current theories of literary criticism. The second part is devoted to musical aesthetics and contains the theoretical core of the work. Here Scruton describes the contours of aesthetic understanding, and defends the view that the object of aesthetic experience is inherently significant, even when it has no "content" that can be described in propositional terms. He rebuts the view that music is representational, and in the third part goes on to propose a theory of representation whereby to refute the suggestion that photography is a representational art. This third section also contains a study of film. The final part comprises essays relating aesthetic judgment to the understanding of culture, humor, and design. It covers many subjects, including the prose works of Samuel Beckett and the architecture of Leninism. The essays in this book form parts of a single intellectual enterprise, which is to give analytical foundations to the criticism of literature, visual art, music, and culture. (shrink)

Important ideas that helped shape 20th-century thought--ideas which continue to hold great significance for anyone interested in the social world--are made ...

A modern philosopher and author of Modern Philosophy presents a useful, refreshing guide for "doing" rather than "studying" philosophy, making the subject accessible and real to the layperson. 10,000 first printing.